The Best Of The Columbia Records Radio Hour, Vol. 1
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The Best Of The Columbia Records Radio Hour, Vol. 1 Price comparison
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- At amazon.com you can purchase Columbia Records Radio Hour, Vol. 1 for only $12.24 , which is 97% less than the cost in Walmart.com ($374.38).
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The Best Of The Columbia Records Radio Hour, Vol. 1 Price History
The Best Of The Columbia Records Radio Hour, Vol. 1 Description
Discover The Best Of The Columbia Records Radio Hour, Vol. 1
Get ready to indulge in timeless music with The Best Of The Columbia Records Radio Hour, Vol. 1. Released by Sony Legacy, this compilation transports you back to extraordinary performances that captivated audiences. Whether you’re a die-hard fan of classic hits or someone seeking to enrich your music collection, this volume is a must-have. Explore how this album stands out in price comparisons, customer feedback, and availability.
Key Features of The Best Of The Columbia Records Radio Hour, Vol. 1
- Impressive Track Record: Originally released in 1995, this album features a carefully curated selection of live performances that highlight talent and artistry.
- Runtime: At 1 hour and 7 minutes, you’ll enjoy an engaging listening experience filled with classic music and memorable moments.
- Compact Design: With product dimensions of 5.62 x 4.92 x 0.33 inches and a weight of only 3.84 ounces, it’s perfect for easy storage or taking on the go.
- Manufacturer: Produced by the reputable Sony Legacy label, ensuring a high-quality audio experience.
- Availability: This volume is actively marketed and not discontinued, making it readily accessible for enthusiasts.
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Insights from Customer Reviews
Customer reviews offer valuable perspectives on The Best Of The Columbia Records Radio Hour, Vol. 1 review. Users often praise the track selection, stating that it evokes fond memories and delivers a high-quality listening experience. However, some have noted that certain tracks might be more appealing to specific age groups, underscoring the album’s nostalgia factor. Overall, the feedback highlights a strong appreciation for the performances showcased throughout the record.
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Why You Need This Album in Your Collection
This album isn’t just a collection of songs; it’s a chance to experience classic moments from The Columbia Records Radio Hour. With a well-rounded selection of timeless performances, The Best Of The Columbia Records Radio Hour, Vol. 1 deserves a spot on your shelf. Its compact design and impressive sound quality make it both a nostalgic piece and a practical addition to your music arsenal. Don’t miss out on the chance to enjoy great music and bring back cherished memories in one delightful package.
In summary, The Best Of The Columbia Records Radio Hour, Vol. 1 offers an engaging journey through music history. With competitive pricing, solid customer ratings, and insightful reviews, this album is an essential buy for any music lover. Compare prices now and add this fantastic collection to your cart today!
The Best Of The Columbia Records Radio Hour, Vol. 1 Specification
Specification: The Best Of The Columbia Records Radio Hour, Vol. 1
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The Best Of The Columbia Records Radio Hour, Vol. 1 Reviews (5)
5 reviews for The Best Of The Columbia Records Radio Hour, Vol. 1
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dev1 –
Columbia’s idea to gather a group of artists one Sunday morning each month for a radio show is unique. Often the results of similar “live” and “unplugged” sessions are mediocre: many musicians, without the help of studio production trickery, sound less than delightful live. Fortunately, the results of Columbia Records Radio Hour Volume I are gratifying. The featured artists are all multi-talented and first-rate performers: singers, songwriters and musicians. Their professionalism well withstands the “first take” approach. The majority of music is acoustic folk and soft rock – very intimate and mid-tempo. The atmosphere is impromptu and relaxed.
For instrumental performance, it should be no surprise that the guitar work of Bruce Cockburn is dazzling and majestic – he is nothing less than a master. The innovative and understated stand-up bass of Rob Wasserman is showcased on several selections. A surprise for me is the finger-picking skills of Mary Chapin Carpenter: she holds her own ground. In comparison to the other tracks, Darden Smith’s `The Levee Song” rocks. The Godfather of Melancholy, Leonard Cohen, is as gravel-sounding and as off-key as ever; but his poetry is wonderful. The standout track is `Wouldn’t It Be Lovely’ (from My Fair Lady) by Rosanne Cash. The audience is exceptionally quiet during the vocal, piano, and guitar song. Rosanne is breathtaking. In summary, Columbia Records Radio Hour features a hefty sixty-six minutes of “the best of the best” in a relaxed and friendly atmosphere.
John J. Wood ([email protected]) –
Unfortunately, the Sunday morning Columbia Records Radio Hour was not broadcast in the Boston area to my knowledge, so I have no detailed information of the radio broadcasts themselves. Nonetheless, volume one is a nice sampler, with a solid mix of folk & country based artists.
The brightest moments belong to Bruce Cockburn, Shawn Colvin, Mary Chapin Carpenter and Rosanne Cash. Cockburn is benefitted by the always-tasteful upright bass of Rob Wasserman, which gives plenty of bottom to the inflective “Lord Of The Starfields” and the engaging “Lovers In A Dangerous Time.” In fact, I prefer this version of the latter to the studio original.
Shawn Colvin is represented by an intimate “Polaroids”, where her angelic voice is complemented by a variety of interesting rhythms. Mary Chapin Carpenter add supple harmonies on the great “Shotgun Down The Avalanche”, and Colvin returns the favor for a gorgeous reading of Carpenter’s “Come On Come Over” that gives a prime example of the benefits of hushed dynamics. Rosanne Cash, with help from John Leventhal, turns “Wouldn’t It Be Lovely” into a country/folk swing, while former Talking Heads frontman David Byrne adds ideosynchric harmonies to “What We Really Want.” Peter Himmelman also fares well with the intimate feel of “Raina.”
Like most various artists compilations, though, the variety of music meets its limits in terms of acquired tastes. Your mileage may vary, but the Leonard Cohen songs feel out of place in comparison to the acoustic-based artists: Whereas most of the songs eschew warmth and human emotion, Cohen’s are almost too cold and calculating. Darden Smith’s “The Levee Song” is pleasant, but almost appears like a leftover in comparison to the other contributions.
The disc closes with a classy reading of a touching “Cry Of A Tiny Babe”, with Cockburn aided by Lou Reed (who handles the second verse), Rosanne Cash (providing tasteful harmonies), and Wasserman. A fine touch to a CD that not only chronicles portion of the Columbia Records Radio Hour, but also as a fine sampler to artists whose works deserve plenty of attention.
John W. Byler –
This is some of the best music you will ever hear. I wish they had done more than two albums. Priceless!
M. Tubman –
Wonderful collaborations, beautiful lovesongs, amazing guitar (my favorite version of Lovers in a Dangerous Time). Moving version of “Wouldn’t it be lovely”. The Shawn Colvin songs are outstanding, and also Raina by Peter Himmelman. Surprise yourself.
Gregory Kozak –
DO NOT THROW THIS ONE OUT BEFORE LISTENING!!!!!