Harp Of Brandiswhiere: Celtic Harp Suite
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Harp Of Brandiswhiere: Celtic Harp Suite Price History
Harp Of Brandiswhiere: Celtic Harp Suite Description
Celtic Elegance: Discover the Harp Of Brandiswhiere
The Harp Of Brandiswhiere: Celtic Harp Suite is a beautiful addition to any music lover’s collection. This scorebook, published by Woods Music, offers a captivating material that resonates with fans of Celtic music. With its neat dimensions of 8.5 x 0.16 x 11 inches and a total weight of just 6.4 ounces, it is both portable and easily manageable. Released in January 1982, this paperback edition encompasses 60 pages filled with soothing melodies that can transport you to a misty glen in the heart of Scotland.
Key Features and Benefits of Harp Of Brandiswhiere
- 60 Pages of Music: Designed specifically for the Celtic harp, this suite includes a variety of enchanting tunes that highlight the harp’s ethereal sound.
- English Language: Composed in English, it ensures accessibility for all musicians, from beginners to seasoned performers.
- Portable Size: The compact dimensions make it perfect for travel, allowing you to practice or perform anywhere.
- Durable Paperback: Crafted to withstand frequent use, this scorebook can endure the rigors of practice and performances.
- Year of Publication: The Harp Of Brandiswhiere has stood the test of time since 1982, proving its lasting appeal among harp enthusiasts.
Price Comparisons Across Suppliers
When considering the Harp Of Brandiswhiere price, it’s essential to compare various suppliers to get the best deal. The price typically spans from $15 to $30, depending on the retailer. By using our price comparison tool, you can easily discover competitive options. This ensures you receive the best value for your music purchase.
Notable Trends from the Price History Chart
Our 6-month price history chart shows that the Harp Of Brandiswhiere has seen slight fluctuations. Early in the year, prices were around $25 but have recently dropped to about $18. This trend indicates a good opportunity to purchase, as many music lovers are taking advantage of these lower prices.
Customer Reviews: Highlights and Drawbacks
The Harp Of Brandiswhiere reviews reflect a wealth of positive feedback from buyers. Customers consistently praise its beautiful arrangements and ease of use, making this book a favorite among both students and professional harpists. Many users have noted how the suite enhances their playing experience, inspiring creativity and a sense of tranquility. Reviewers also appreciate the high quality of the paper, which holds up well to frequent use.
However, some customers have pointed out a few drawbacks. A handful of users expressed that certain arrangements might be complex for complete beginners. Additionally, a few reviews mentioned that specific song choices might not resonate with everyone’s taste. Yet, these criticisms are minimal compared to the overwhelming praise the book receives.
Explore Unboxing & Review Videos
If you’re considering purchasing the Harp Of Brandiswhiere, be sure to check out available unboxing or review videos on platforms like YouTube. Many musicians share their experience with this scorebook, providing further insights into its features and usability. These videos can offer a deeper understanding of how the music scores look and feel, showcasing the allure and suitability of this Celtic harp suite.
To sum up, the Harp Of Brandiswhiere is not just a collection of notes; it’s a journey through the enchanting world of Celtic melodies. Its well-structured layout and thoughtful compositions make it ideal for harp enthusiasts at various levels. Whether you aim to expand your repertoire or simply enjoy the soothing sounds of the harp, this scorebook is a perfect choice.
Don’t miss out on the opportunity to own a piece of timeless Celtic music. Compare prices now! This suite is waiting to inspire your next performance or practice session.
Harp Of Brandiswhiere: Celtic Harp Suite Specification
Specification: Harp Of Brandiswhiere: Celtic Harp Suite
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Harp Of Brandiswhiere: Celtic Harp Suite Reviews (8)
8 reviews for Harp Of Brandiswhiere: Celtic Harp Suite
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Heldenbaer1 –
Music and story in one book. Recommended by my teacher to get- a goal to set, for any Celtic/folk harpist.
Charlene –
The music is grand, and so is the story. If you want to play this on your harp, you should be at least an intermediate level. This is not a book for beginners. If you are an enthusiastic beginner, buy it, and save it for next year. The writing is wonderful.
Judith R. Diaz –
I have all of Sylvia’s books but return often to play the beautiful, original pieces in the Harp of Brandiswhiere.
This suite is performed by many harp ensembles, and solists along with the story narration. I find the pieces also stand alone, and I enjoy always performing them. My favorites are the waltz-tempo, In The Forest, the hauntingly beautiful Lament, and Morning Calm. Because of the beautiful melody and rubato style Morning Calm lives up to the name. I know others will enjoy this highly creative, original score as much as I have.
Judy Diaz, Harper
Matthew Schwarz –
Sylvia Woods’s “Harp of Brandiswhiere” is a charming suite of original harp pieces for the intermediate harpist – I can pretty much sight-read my way through it (although not at “performance quality”!), but it might take a little work to get it “down.”
The music is haunting – somewhat Celtic-flavored, but not the four-square melodic phrases and basic chordal accompaniment of your usual jigs and reels. Woods has largely constructed these tunes around ostinatos – little, repeating figures (often in the bass) – which tends to give it more of an ethereal, improvisational, non-directional feel than if it had standard chord progressions and straightforward melodies. Some of the unusual modes (E F# G A# B C D) and shifting time signatures add to this effect. It’s kind of reminiscent of music like Debussy, progressive rock, new age, classical minimalism, etc. in this way – actually, it might be similar to medieval harp music too, from what I’ve read (there’s not much concrete evidence on that repertoire).
The music is written for a 4-octave folk harp and (unless I missed a high or low note) falls in the range from A2 (the lowest space in the bass cleff) to G6 (the G an octave above the treble cleff). Most of the music in G-Major tuning (F# and everything else natural) – a previous reviewer would’ve preferred C Major tuning, but for those who play mostly Irish folk, this is a more usual tuning. Some of the tunes require an alternate tuning – G#s, Cs, A#s, or a single D# in one – but no lever changes are required within an individual piece, and there’s only one letter-name pitch altered from G Major per piece. Some of these tunings (for example – F# and A# with all other notes natural) create an interesting, haunting mode – an effect particularly suited to a diatonic instrument like the lever harp.
Anyway, if you play folk harp and want something a little different from traditional, classical, or pop music, this is really delightful and evokes a kind of mystical, Celtic atmosphere. When I play from this book, my girlfriend asks, “what were you playing? I really liked it.” The music comes with a little (made up) story to match the music (I haven’t read it yet.)
Her CD of the music is also very enjoyable – she fleshes out the arrangements a little bit (some flute, and one tune has a little marching snare drum).
Romyharp –
Adoro Sylvia Woods, ho tante cose sue ma questa raccolta ha qualcosa di fiabesco . Non sono brani per principianti quindi consiglio questa raccolta solo a chi ha un bagaglio tecnico da intermedio in su.
JudithB –
I love playing this suite. I ‘ve been playing the first few sections so far. There’s nothing “sadder” than the “Lament” when you want a sad piece; a joyous trek through a woods is the content of the section “In the Forest”.
Kathy-W –
I own a small Celtic harp and thought this book would be a nice change of pace to oversimplified Celtic tune books and overly difficult “modern classical” composers, but I quickly realized that these songs sound equally marvelous on the piano and now I much prefer to play them on keyboards. Not all harp music is interchangeable with the piano, but these songs are mostly very feasible for the task.
The front of the book contains a cute invented myth (nothing genius, but still a bit cute), and the music is almost intended as a series of interludes between narrations of story sections. The songs are subtly related and it is a joy to spot the connections while playing through them. Specifically, “The Harper’s Vision” is a little repetitious, but it is nonetheless such a very, very fine song that the repetitions are welcome melodic emphases (I hesitate to call it “minimalism” because that implies negative things, but the concept is roughly equivalent in this case). Sylvia Woods plays this song rather quickly in the recorded version, but I have found that it also sounds quite good as a slow and contemplative song – in fact, I think there is even MORE magic and mystery if it is played a bit on the slow side. “The Legend” and “Lament” are also strong pieces. You will be challenged by some of the hand stretches involved to play some chords, but there aren’t many nasty surprises (key changes, incidentals, chromatic notes, etc.). These take some practice to sound really polished, but they are such a delight to listen to that you won’t mind drilling the extra time in. Some time signatures are a little unusual, but they are consistent (there are very few changes within songs).
One word of caution: the printed size is rather small in this book. I suppose this is meant to save on pages (page turns are clumsy in some songs, so it was not done for strategic musical reasons). The print quality is excellent, but this is just a heads-up if you don’t have great reading vision or were planning on playing these songs in a dimly-lit setting.
Charlotte Y O’Connell –
One of the best Harp books! Sylvia Woods Is the best.