Crossrock Cello Case 4/4 Full Size CRF1000CEFSLHT

Granted, I have only just received my case, but I find that it is surprisingly good. Days were spent comparing this to the Bobelock 2000W (arguably the standard in this class) and I was concerned because of mixed reviews: Most ratings were high, with a few low, but rarely in the middle. However, I consider this to be “great bang for the buck.”

The outer packaging consisted of a standard box, with “Made in China” in bold letters. Two of the packing tape strips had broken and I was instantly anxious. However, after opening the outer box, I noticed that the packing was (similar to the case itself) a suspension design, anchored at the head and foot. The next level of packaging was large-cell bubble-wrap sleeve completely enclosing the case. Underneath the bubble-wrap was a full-length white bag made of cotton or Tyvek-like material, and securely tied at the top (had they added a spring cord-lock, I would have been WOW-ed – and I suspect I might use this on long trips to prevent cosmetic damage). Inside the bag was the case itself.

Firstly, the case is *extremely* light with the packaging almost outweighing the case (subjectively speaking). Though this feature may be dismissed, every pound counts as an instrument is repeatedly hefted in and out of a car. Second, the finish (PC Carbon Composite) appears quite durable. I have had bad experiences with fiberglass where even light glances against a hallway corner can leave a huge and unsightly white scuff. Third, the clasps are much easier to navigate than the hefty buckle-style buckles. My old case required a specific locking order or the buckles would refuse to close, and it was primarily the buckles that kept the case from flexing. The CrossRock has a fitted lip around the entire front face (waterproofing) which, when fully clasped, keeps the case from flexing (the clasps essentially support the lip). The clasps (anodized black), are the bent-wire style which make them both easy to clasp and easy to repair/replace. I have also found the case to be sturdy whilest open (something that has disappointed in other styles). Although a strap for wheeling may initially seem less preferable than the sexy built-in-handle design, I can attest to the awkwardness of a rigid handle that peaks at 90° (it takes a toll on the wrist). The straps that come with the CrossRock were surprisingly beefy and attractive. And the music case on the back is an advantage, though how much of an advantage depends on the amount of music one carries.

I’m not sure whether the music bag/holder on the back is removable: Good design dictates it would be: It looks to be held by snaps, but I wasn’t brave enough to pry hard to prove my assumption. Also, the case – despite being described sometimes as having a head *and* neck lock, has only a locking outer neck strap with an inner faux-leather leather to protect the strings and dampen vibration. I was ambivalent about the neck strap at first, but it has started to appeal to me over a Velcro-based style (with the grating rip of hooks from loops followed closely by the thwang of freed strings). However, it takes a bit of finagling to get the lock adjusted. I do wish that CrossRock had the scroll strap that Bobelock has.

Finally, one reviewer rated this case low because of its wheels which allegedly made the case unsteady. I can’t speak to that user’s experience, but the wheels themselves appear to be made of polyurethane (like modern skateboard wheels), and are not noticeably inset (more than any other make). I suspect they would be better used on-site: Carpet or tile as opposed to sidewalks and asphalt. This could be an issue for professional musicians who have to travel some distances over semi-rugged terrain. But, as others have pointed out, the resulting vibration itself could be harmful to the instrument. As I said, this case does come with a pair of beefy shoulder straps, should they be needed. if this is a real issue, I’d suggest a more expensive case, or a golf bag cart.

I should mention that this *is* a suspension case (some sites claim it is not): No part of the instrument touches the outer shell directly, rather it is “suspended” at various points by lined foam pads (which feels safely stiff). though the case also has an elastic end-pin strap, the inside is unimpressive (though not disappointing) – I doubt even an embedded hygrometer would tip the “need to have it” factor. Good case for this class.

Be sure to take all the measurements prior to purchasing. There are about 6 separate measurements to take and it’s easy to miss it in the description. This is a significant purchase, so I recommend doing some research on where and how to measure prior to ordering. Another option is to contact the seller. This will save the headache of having to return it.

To the seller: I recommend having an illustration of a cello showing where to measure and include max dimensions. Many people are ordering aren’t really sure what they are looking at.

Review: Most of the reviews accurately describe the case. The case stores the commonly needed items, which is a huge plus. There are quite a few latches, but they are pretty simple and quick to use. The latches are spring loaded and not the luggage latches we are used to. I was impressed on the design and think the number of latches are a redundancy for the low chance one of the spring fails. The latches also seem to make the case close and secure properly without having to open, realign, then close as you would with standard luggage latches.

I think it’s a good investment, but you must make sure you measure before ordering.